Artworks Catalogue

Side altar of St. Narcissus in the collegiate church in Rein (photo by U. Thomann, Restaurierungswerkstätte, 2014)
The statue of St Valentine (photo by Elisabeth Brenner, 2014)
The statue of St Blase (photo by Elisabeth Brenner, 2014)

Location

Austria, Styria, Rein

Collegiate Church (Stiftskirche)

Rein

Artwork

The side altar of St Narcissus in the Collegiate church in Rein

Type

Side altar

Critical History

According to the monastery’s annalist P. Alanus Lehr, the Narcissus altar wasn’t intended for the collegiate church of Rein at first.1 It was donated by abbot Placidus Mally (1710–1745). The sculptural decoration was dedicated by Philipp Jakob Straub, who also created the auxiliary statues on the nearby Sebastian altar. Here, the expressions are slightly more withdrawn and the attributes are designed more unpretentiously.2

The sculptures of St Valentine and St Blase show typical elements of Philipp Jakob Straub’s characteristic style. These can be summarised under the term "talking bodies"3; they are twisted, the standing is more instable.4 Highly realistic details of the clothing are accompanied by expressive and interrelated gestures, dynamic and expansive postures as well as elegant, but unaffected physiognomies. Their expressive faces show a strong tendency towards Naturalism.

Construction / Execution

Both sculptures are made of carved wood and are hollowed out deeply.

Components

Carpentry
Completed: 1742 – 1743
Technique(s): sawing
Material(s): wood
Sculpture
St Valentine, St Blase
Author: Philipp Jakob Straub (Wiesensteig 1706 – Graz 1774)
Completed: 1742 – 1743
Patron(s): Philipp Jakob Straub, artist
Technique(s): wood carving
Material(s): wood
Polychromy
Sculptures
Completed: 1742 – 1743
Material(s): gold leaf, red bole

Comment

The sculptures as well as the whole altar were gilded by clerc Andreas Schmid in 1747.5

Conservation-restoration

2014

Strategy: removing varnish

Treatment Description

Before the last restoration in 2014, both statues had a very shiny, yellowish varnish on their well-preserved carnation. They showed massive surface-fouling, woodworm-holes as well as occasional damages of the colouring. Because of uniformly reduced gold leaves, the poliment was partially visible and noticeable bronze refitments were made. Another problem occurred due to vertical cracks because of wood shrinkage as well as some scorch marks (epileptic beneath St Valentine). Because of missing parts it came to supplements which were set in bronze colour (fingers). The aims of the last restoration were the removal of the modern varnish under UV-light as well as the conservation of the altar (aesthetic corrections in the damaged and supplemented areas) to achieve a harmoniously overall appearance.6

Images

  1. Side altar of St. Narcissus in the collegiate church in Rein (photo by U. Thomann, Restaurierungswerkstätte, 2014)
  2. The statue of St Valentine (photo by Elisabeth Brenner, 2014)
  3. The statue of St Blase (photo by Elisabeth Brenner, 2014)

Catalogue entry prepared by Christina Pichler, Margit Stadlober

Recommended citation: Christina Pichler, Margit Stadlober, The side altar of St Narcissus in the Collegiate church in Rein, in: TrArS – Tracing the Art of the Straub Family, 2018, (accessed 26/01/2026) URL

Sources and Bibliography

  1. Kurt Woisetschläger, Das Kunstschaffen im Bereich des Klosters Rein, in: Stift Rein 1129– 1979. 850 Jahre Kultur und Glaube. Festschrift zum Jubiläum, Abt Paulus Rappold (ed.), Rein, 1979, 77–101
  2. Horst Schweigert, Philipp Jakob Straub 1706 – 1774. Ein Grazer Barockbildhauer. Eine Broschüre zur gleichnamigen Ausstellung im Grazer Stadtmuseum, Graz, 1992
  3. Gertrude Celedin, Wiltraud Resch, Kulturführer Graz. Kunst, Architektur, Wissenschaft und Literatur, Wien, Köln, Weimar, Böhlau Verlag, 2003
  4. Matej Klemenčič, Die Bildhauer Straub in der österreichischen und slowenischen Steiermark, in: Bayern und Slowenien im Zeitalter des Barock. Architektur. Skulptur. Malerei. Zweites slowenisch-bayerisches kunstgeschichtliches Kolloquium, Janez Höfler, Frank Büttner (ed.), Regensburg, Schnell & Steiner, 2006, 105–113
  5. Elisabeth Brenner, Ein Himmel auf Erden. Basilika Stift Rein. Meisterwerk des Barock, Rein, CM Medienverlag, 2014
  6. Archive of the Collegiate Abbey of Rein, Ursula Thomann, Boris Golob, The restoration of the Narcissus altar in the collegiate church of Rein, Rein, 2014

Notes

1 Elisabeth Brenner, 2014, 94

2 Horst Schweigert, 1992, 6

3 Gertrude Celedin, 2003, 82

4 Matej Klemenčič, 2006, 110

5 Kurt Woisetschläger, 1979, 82–83

6 Archive Collegiate Abbey of Rein (Restoration Sebastian altar), 2018, 12–13