Artworks Catalogue

The tabernacle of the Holy-Crossaltar in the parishchurch Assumption of Mary, Dießen photo Bavarian State Department of Monuments and Sites Michael Forstner 08.2017

Location

Germany, Bavaria, Dießen

Former Monastarychurch Mariae Assumption (Ehem. Kloster- und heutige Pfarrkirche Mariae Himmelfahrt)

Catholic parish Assumption of Mary Dießen

Artwork

The tabernacle at the Holy Cross-Altar in the parish (former monastery) church Assumption of Mary, Dießen

Type

Tabernacle

Inscriptions

  1. Coat of arms cartouche with 1747 and heraldic blazon of the electors physician in ordinary Abraham Praunschober

Critical History

The monastery church Assumption of Mary (Augustiner Chorherren) was built by Johann Michael Fischer from 1732–1739.1 It is equipped with 11 altars: a huge main altar, 8 side altars and 2 altars in the entrance hall executed by different artists. The tables of the side altars are all made in the same form and material (stone/marble). Only the upper structure has an more or less individual character. Always two parallel altars are created by the same artist. In Dießen we don´t have informations about sketches of the form of the altar, pulpit (drawing existed but is lost) etc. In other cases we know that there was a sketch by J. B. Straub (Fürstenzell). The construction was built by a joiner, the sculptures were carved by J. B. Straub or by his staff. In the list of the most important works by J. B. Straub that J. C. Lippert edited in 1772 Dießen has the number 53. 2 The abbot Herkulan Karg ordered from Johann Baptist Straub (1704–1784) 2 sidealtars (each for 1277 fl), 1 pulpit (9000 fl), 2 tabernacles, the balustrade of the organchoir and the decoration for the organ.3 Straub for this church at least from 1738-40.
The Holy-Cross-Tabernacle is made by J. B. Straub for the altar which was created by Ehrgott Bernhard Bendl. The tabernacle is decorated with carved ornaments. 2 female sculptures on the left and the right represent faith and hope.

Construction / Execution

All surfaces are decorated with metalleaf in some parts dim the rest shiny.

Components

Carpentry
The tabernacle for the Holy Cross-Altar in the Parish (former Monastery) church Assumption of Mary, Dießen
Author: Johann Baptist Straub (Wiesensteig ca. 1704 – Munich 1784)
Completed: 1738 – 1740
Technique(s): oil gilding, sawing, water gilding, wood carving
Sculpture
The tabernacle for the Holy Cross-Altar in the Parish (former Monastery) church Assumption of Mary, Dießen
Author: Johann Baptist Straub (Wiesensteig ca. 1704 – Munich 1784)
Completed: 1738 – 1740
Technique(s): oil gilding, water gilding, wood carving
Polychromy
The tabernacle for the Holy Cross-Altar in the Parish (former Monastery) church Assumption of Mary, Dießen
Completed: 1738 – 1740
Technique(s): oil gilding, water gilding
Material(s): gold leaf

Comment

Since 1803 the monastery with the church belongs to the Bavarian state. The inside of the church was never completely repainted or restored. But there were several smaller works during 19th and 20th century. The marbeling of the altararchitecture seems to have its historical varnish one text mentions the restoration with schellack in 1936 its reference is unknown.4 The Stephansaltar and the pulpit will be examinated from October to November 2018.

Conservation-restoration

1930

Treatment Description

Cleaning and removing dirt in the complete church by firm Wirsching, Dießen. May be the dirty parts of the monochrome white painting layer was overpainted.

1936

Treatment Description

Restoration of several side altars and pulpit by K. Eixenberger, Munich. One reference mentions a partial overpainting of the lead white painting layer of the sculptures and a partial overpainting of the varnish on the marbling.

1955

Strategy: removing dirt

Treatment Description

Cleaning and removing dirt inside partly overpainting of the monochrome white painting layers.

1979

Treatment Description

Great restoration of the complete building and its equipment under supervision of the spezialised authorities. The equipment was treated under conservative aspects.

2010

Treatment Description

The complete wooden equipment was treated with nitrogen against wooden pest.

Images

  1. The tabernacle of the Holy-Crossaltar in the parishchurch Assumption of Mary, Dießen photo Bavarian State Department of Monuments and Sites Michael Forstner 08.2017

Catalogue entry prepared by Rupert Karbacher

Recommended citation: Rupert Karbacher, The tabernacle at the Holy Cross-Altar in the parish (former monastery) church Assumption of Mary, Dießen , in: TrArS – Tracing the Art of the Straub Family, 2018, (accessed 25/10/2025) URL

Sources and Bibliography

  1. Bavarian State Department of Monuments and Sites, Joseph dall' Abaco, Chronik von Dießen, 1770
  2. Johann Caspar Lippert, Kurzgefaßte Nachricht von dem churbaierischen ersten Hofbildhauer Herrn Johannes Straub, in: Augsburgisches monatliches Kunstblatt. Kunstzeitung der kaiserlichen Akademie zu Augsburg, 1772, Nr. 54f
  3. Franz Sebastian Meidinger, Historische Beschreibung der kurfürstl. Haupt- und Regierungs-Städte in Niederbayern Landshut und Straubing, Landshut, 1787
  4. Joseph Anton Hugo, Chronik des Marktes und der Pfarrei Diessen nebst kurzgefaßter Geschichte des ehemaligen regulierten Chorherrenstiftes Diessen, Dießen, 1901
  5. Carola Giedion-Welcker, Bayrische Rokokoplastik. J. B. Straub und seine Stellung in Landschaft und Zeit, Munich, Recht, 1922
  6. Peter Steiner, Johann Baptist Straub (Münchner kunsthistorische Abhandlungen, VI), München und Zürich, Verlag Schnell & Steiner, 1974
  7. Peter Volk, Johann Baptist Straub 1704–1784, München, Hirmer Verlag, 1984
  8. Dagmar Dietrich, Dießen, München & Zürich, Schnell & Steiner, 1986

Notes

1 Peter Volk, 1984 p. 186ff.

2 Johann Caspar Lippert, 1772 p. 62

3 Joseph dall' Abaco, 1770; Joseph Anton Hugo, 1901

4 Dagmar Dietrich, 1986 p. 49ff