Artworks Catalogue

The altar of St Anne in Čučerje (Croatian Conservation Institute Photo Archive, photo by Goran Tomljenović, 2017)
The sculpture of St Catherine (Croatian Conservation Institute Photo Archive, photo by Goran Tomljenović, 2017)
The sculpture of St Barbara (Croatian Conservation Institute Photo Archive, photo by Goran Tomljenović, 2017)
The sculpture of angel (Croatian Conservation Institute Photo Archive, photo by Goran Tomljenović, 2017)
The sculpture of angel (Croatian Conservation Institute Photo Archive, photo by Goran Tomljenović, 2017)
The sculpture of angel (Croatian Conservation Institute Photo Archive, photo by Goran Tomljenović, 2017)

Location

Croatia, City of Zagreb, Čučerje

Parish Church of the Visitation of the Blessed Virgin Mary (Župna crkva Pohoda Marijina)

Artwork

The right side altar of St Anne (The engagement of Virgin Mary) in Čučerje

Type

Side altar

Dimensions

Height: 630 cm, width: 274 cm, depth: 51 cm

Inscriptions

  1. HANC ARAM/IN HONOREM SANC/TAE ANNA EFIERI FECIT D./IOSEPHUS WUGER BONORUM/EPPUM POKUPSZKEN.SIUM/PROVISOR ANNO 1761 (in the cartouche above the altar painting)
  2. St./KATARINA (in the cartouche to the right of the Saint's sculpture, probably from the 1997 restoration)
  3. St./BARBARA (in the cartouche to the left of the Saint's sculpture, probably from the 1997 restoration)

Critical History

The altar was first mentioned in the text of the Canonical visitations in 1765. 1 The date 1761 and the donor Josip Vuger (Wuger), head of the bishop's estate in Pokupsko, are inscribed in the cartouche. Doris Baričević noted in 1992–1993 that the inscription stated the year 1765, which was the date of polychromy and gilding, and attributed the altar to Franz Anton Straub. She particularly praised the sophisticated beauty of the sculptures of St Catherine and St Barbara (corrected to St Elizabeth of Thuringia in 2001), adding that their gentle faces have similarities only with the faces of large angels. 2 However, in 2008 she proposed a new attribution to an artist under the influence of Veit Königer. 3

A large canonical plate carved with rocaille ornaments and four putti as candle holders in the middle of the predella is no longer preserved. 4

Construction / Execution

The side altar covers the entire rear wall of the right side nave. As opposed to its left counterpart, massive carved formations of rocaille, volutes and similar motifs stand instead of architectural columns.

Components

Carpentry
Author: Franz Anton Straub (Wiesensteig 1726 – Zagreb ca. 1774)
Completed: 1761
Patron(s): Joseph Wuger, head of bishop's estate
Technique(s): sawing, wood carving
Material(s): wood
Sculpture
Author: Franz Anton Straub (Wiesensteig 1726 – Zagreb ca. 1774)
Completed: 1761
Patron(s): Joseph Wuger, head of bishop's estate
Technique(s): wood carving
Material(s): wood
Painting
The Engagements of Virgin Mary
Completed: 1761
Technique(s): oil on canvas
Painting
St Anne teaching the young Mary
Technique(s): oil on canvas
Polychromy
Completed: 1765
Technique(s): oil gilding, water gilding
Material(s): gold leaf, red bole, silver leaf, yellow bole
Polychromy
Repolychromy
Author: Franjo Bašić
Completed: 1885
Patron(s): owner, parish
Technique(s): stencil ornamentation
Polychromy
Partial repolychromy
Author: Franjo Mrnjec
Completed: 1997
Material(s): gold leaf

Comment

The altar was repolychromed in 1885 by Franjo Bašić from Zagreb.5 It seems that he did not cover the gilded parts, since Anđela Horvat in 1942 mentions "very nice old gilding".6 Repolychromy is not visible after the recent renovation in 1997, which restored the polychromy from 1765, but also overpainted many surfaces.

Conservation-restoration

1997

Strategy: removing dirt, removing one or several historic repolychromies, removing partial repairs, removing patina, removing varnish

Approach to the presentation of losses

Reintegration of lacunae – mimetic: total

Reintegration of losses – other: total

Reconstruction of losses: total

Repolychroming: partial

Materials: gold leaf, silver leaf

Treatment Description

The entire altar and sculptures were fully renovated by 1997 by Franjo Mrnjec, a private restorer, sponsored by the Parish church and its parishioners.

Images

  1. The altar of St Anne in Čučerje (Croatian Conservation Institute Photo Archive, photo by Goran Tomljenović, 2017)
  2. The sculpture of St Catherine (Croatian Conservation Institute Photo Archive, photo by Goran Tomljenović, 2017)
  3. The sculpture of St Barbara (Croatian Conservation Institute Photo Archive, photo by Goran Tomljenović, 2017)
  4. The sculpture of angel (Croatian Conservation Institute Photo Archive, photo by Goran Tomljenović, 2017)
  5. The sculpture of angel (Croatian Conservation Institute Photo Archive, photo by Goran Tomljenović, 2017)
  6. The sculpture of angel (Croatian Conservation Institute Photo Archive, photo by Goran Tomljenović, 2017)

Catalogue entry prepared by Martina Ožanić and Ksenija Škarić

Recommended citation: Martina Ožanić and Ksenija Škarić, The right side altar of St Anne (The engagement of Virgin Mary) in Čučerje, in: TrArS – Tracing the Art of the Straub Family, 2018, (accessed 19/05/2026) URL

Sources and Bibliography

  1. Archive of the Archbishopric of Zagreb, Canonical visitations, Cathedral Archdeaconry, protocol 60/XVI, 1765
  2. Parish Archive Čučerje, Liber memorialis parochiae Chucherjensis inchoatus anno salutis reparatae 1829. sub Ignatio Rochich, parocho Chucherjensi
  3. Archive of the Archbishopric of Zagreb, Anđela Horvat, Putna bilježnica I. 1941.-1950., concept., 14, Rukopisi i gradivo. Hor.An. 463.
  4. Doris Baričević, Članovi kiparske obitelji Straub u Hrvatskoj, in: Peristil. Zbornik radova za povijest umjetnosti, 35–36, Radovan Ivančević (ed.), Zagreb, 1992–1993, 193–218
  5. Andrija Lukinović, Doris Baričević, Župna crkva Pohoda Marijina u Čučerju – kulturno povijesni vodič povodom 800. obljetnice, Zagreb, Glas koncila; Rkt. Župa Čučerje, 2001
  6. Doris Baričević, Barokno kiparstvo sjeverne Hrvatske, Zagreb, Školska knjiga; Institut za povijest umjetnosti, 2008

Notes

1 Canonical visitations, Katedrala Archdeaconry, protocol 60/XVI, 1765., 10: "2da ara ad cornu epistolae in corpore ecclesiae, Sanctae Annae dicata et largitate domini Josephi Vuger, provisoris Pokupszkensis, suscitata; 3tia ad cornu evangelij, sub titulo Dolorosae Virginis, ejusdem domini provisoris liberalitate erecta; utraque autem ara, sive inaurationem sive picturam sive tandem opus statuarij et arcularij consideretur, satis elegans est." (Transcribed by Šime Demo)

2 Doris Baričević, 1992–1993, 200; Doris Baričević, 2001, 18

3 Doris Baričević, 2008, 371

4 It is still visible in the article published in 1992–1993. Doris Baričević, 1992–1993, 199

5 Parish Archive Čučerje, Liber memorialis parochiae Chucherjensis inchoatus anno salutis reparatae 1829. sub Ignatio Rochich, parocho Chucherjensi, 88.

6 Archive of the Archbishopric of Zagreb, Anđela Horvat, Putna bilježnica I. 1941.-1950., concept., 14, Rukopisi i gradivo. Hor.An. 463, 13.